Then the footage disappeared, sending her on a hunt for answers. Once the filming was done, Cardona took the film stock and parts of the production with him as the three girls waited to hear from him. He pushed the girls to their wit’s end and squeezed money out of their bank accounts to complete shooting as he served as the film’s director. Then several years later, the raw footage resurfaced. She retraces her steps from her childhood in Singapore with friends Jasmine Ng and Sophie Siddique. 1/22, 10:00 p.m., Redstone 2, PC Tue. A woman explores the events surrounding a film she and her friends began making with a mysterious stranger decades ago. After wrapping, Tan, Ng, and Siddique left the footage with Cardona as the trio went to study abroad for college.
A woman explores the events surrounding a film she and her friends began making with a mysterious stranger decades ago. A middle-aged man wants his young niece to taste the world.
It’s almost too painful a thought: Where could have the careers of women directors have gone if they hadn’t been thwarted by sexism? Directed by Sandi Tan. In the discussion of men, women and abusers in Hollywood, not much has been said about the opportunities stolen from artists by those in power.
Watch all you want for free. On September 11, 2011, four years after Cardona's death in 2007, Cardona's ex-wife emailed Tan, Tan compiles old photos and handmade zines to playfully illustrate how they all met and bonded before starting one of the most ambitious projects of their young lives: to make a movie. Want to share IMDb's rating on your own site? In the final fifteen years of the life of legendary director Orson Welles he pins his Hollywood comeback hopes on a film, The Other Side of the Wind, in itself a film about an aging film director trying to finish his last great movie. With Sandi Tan, Jasmine Kin Kia Ng, Philip Cheah, Sophia Siddique Harvey. In 1992, Sandi Tan and her friends shot a quirky film on the streets of Singapore.
In a popular suburb of Dakar, workers on the construction site of a futuristic tower, without pay for months, decide to leave the country by the ocean for a better future. In her search for closure to this bizarre chapter in her life, Tan recreates Cardona’s steps to make sense of why he would steal the teens’ work.
1/21, 11:30 a.m., Egyptian, PC Mon.
In remembering her past, Tan admits she was under the influence of a mysterious American self-proclaimed impresario, Georges Cardona. The girls drifted away over the years, their hard work living only in memory. To escape the harsh reality of their world,... He taught the teenage girls how to make a movie, and after a fateful road trip with Tan, convinced her to film her script as soon as possible. But somewhere along the way, the sound that went with it was lost, leaving the original film forever incomplete.
A two-part film featuring the stories of two individuals with unusual sex lives in Tokyo. 20 years later, the 16mm cans are recovered in New Orleans, sending Sandi-now a novelist in Los Angeles-on a new personal odyssey across two continents and many media: 16mm, digital, Hi8, Super8, slides, animation and handwritten letters. Sandi wrote the script and played the lead, a killer named S. After shooting wrapped, Georges vanished with all the footage! A retro-inspired, ardently analogue experiment in self-discovery and filmmaking, Shirkers becomes a portrait of what it means to be independent, defy patriarchy, and find your tribe—only to realize that they were with you all along. 25 of 41 people found this review helpful. Went into it with high expectations and thinking I knew what to expect, but was let down as I watched it unfold.Looking for something to watch? I heard the Sandi Tan interview on Fresh Air and was intrigued by Shirkers. Her journey takes several dark turns, which she captures in a crisp digital format which contrasts nicely against the dreamy footage of the original “Shirkers,” which was its own twisted take on melodrama, surrealism and existentialism. Tan revisits one of the most jarring experiences of her life and invites her friends, those involved with her movie in the ‘90s, and film critics to excavate the original project that gives this documentary its name. Cardona may have taken something from them they will never fully get back, but Tan’s documentary returns the narrative back to her and her friends. a list of 31 images